Seminar Presentations

   What is art?


  • Art is an application of imagination expanded to excitement of levels that offers satisfaction and enterprise to a person’s point of view.


  • My definition of art is the idea of not having any limitations to work those possible outcomes past has been improved further into something more sophisticated but sophistication and simplicity can be called art in anyone’s eye.


  • People say that graffiti isn’t art but artists such as Banksy say that art is born in everyone’s nature that it can be expressed through anything that creates marks.


  • Art can turn into therapy for everyone which therapy is based on emotions and visual character. Character in itself can change shape and emotion which then causes for the artist or viewer to take art into different perspective on how they think the story in which a piece of art creates a time in history that is worth remembering.


  •  Art history is a way of documenting times that have come before us that show us great events such as the Leonardo da Vinci piece called “the last supper” where history and future collided and in which formed us today as practicing artists.

Seminar Prestentation







                                     https://www.youtube.com/watch?v=PbvpQhmDocA
                                     https://www.youtube.com/watch?v=3yCGXalCEws
         http://www.tate.org.uk/context-comment/video/turner-prize-2012-spartacus-Chetwynd





Evaluation

In my evaluation I will discuss about the power point I have done about an artist called Spartacus Chetwynd. I will also discuss the reactions of the audience with multiple responses and feedback from peers and experiences gained from this event.

My PowerPoint is formed of nine slides all of which shows and explains my artist’s influences, who the artist is, the works of Spartacus Chetwynd including multiple videos on YouTube showing her shortlist turner prize entry in 2012 including several images showing a partial performance with the audience in the making of The Snail Race (2008). Spartacus's work of The Mole, The Lizard and The Stick Insect is inspirational to me as they were all made to show the performance about wildlife conservation. All three creations are displayed with white and clear backgrounds along with their titles, sizes, mediums and year of creation. I have gathered several quotes from Chetwynd as she describes her approach to art making as "Unbridled Enthusiasm" for each work she strives for total immersion into the worlds of her subjects, honouring their passion and contribution with her own. This reflected in the DIY style Chetwynd employs: her objects are handmade to illustrate how the earnest (and the seemingly ridiculous) efforts of one person can have real meaningful consequences.

Chetwynd never used prefab materials the outfits are sewn from cloth which she dyes herself using paint and salt and masks and other accessories are made from latex moulds and or cardboard. Her figures such as the mole are humorously sympathetic and also slightly sinister, highlighting the moral dilemmas and fatal plights associated with fanaticism. During my Power Point presentation about Spartacus Chetwynd two co peers in my class had been taking notes and summarizing my presenting skills also on the information given whether it was relevant or not. They said my presentation had good varying media, well planned and thought out and I spoke clear also had good lengthy timing. On the other hand I thought I spoke really fast and I mumbled a few words I think this was down due to nervousness at the time. Images used in my presentation helped my peers understand and to help visualise the work Spartacus was doing and why I am deeply influenced by her work. I think that I had plenty of information to help talk about the costumes however others thought I had a bit too much information on the slides.

What ideas or issues are outlined by the student when discussing the work?

Peers within my group outlined the ideas that I was and Chetwynd was also inspired by the performance and traditions. The way she hand made all her costumes and creatively came up with aboriginal performances and other circumstances she had been placed in. some inspirations came from films, books and world history. She also likes to include other performing artist and the audience in her work this helps everyone to interact and become more personally connected with her work. Spartacus is influenced by popular performing traditions such as medieval mummer plays, carnivals, communes, drag acts and political demonstrations, as well as the history of performance in Avant-garde art. There performances have referred to the ideas, images and storylines of John Milton, Charles Dickens, Karl Marx and Dante, for example but also Meatloaf, The Addams Family, Star Wars and Star Ship Troopers. Brought up on film sets and studying both anthropology and fine art university Chetwynd moves easily between folk and traditions, Sci Fi, 60s happenings and contemporary moral issues.

Chetwynd is a British artist known for reworking's of iconic moments from cultural history in deliberately amateurish and improvisatory performances. She specialised in sculptures and installations that often starts handmade props, costumes and sets for her joyful anarchic performances. They acquire an afterlife in exhibition spaces, occasionally animated by amateur actors and professional dancers. Her performances are really gestural and not meant to exist afterward. She wanted to burn the costumes after but she had to change her attitude and her heroes are the Marx Brothers. They bothered to make their fun, gestural off hand experience package able, not in a dark way that people can enjoy afterward forever. Another quote from Spartacus Chetwynd "It’s important to make an effort to make things that last so they can continue to communicate to people".

Overall in this evaluation I have enjoyed the overall experience and information gained from producing a power point about artists as they help with learning and gaining skills ideas to help with future works and inspirations. I have also enjoyed peer feedback as it helps me to understand what people think about my work and how it affects them.






Drawing Presentation






Seminar Presentation







Contextual Research

 Analysis






The "Last Supper" is a mural painting created by Leonardo da Vinci. The mural is painted onto the back wall of the churches dining hall and spans 15 by 29 feet. Da Vinci created the piece of work and it took a total of four years to complete it.
The "Last Supper" is named after an event in the Holy Bible that can be found in the gospels of Luke, Mark and Mathew. Jesus Christ and his twelve disciples gather for a Passover dinner on the night which will precede his death. During the meal Jesus announces that one of his disciples will betray him and he will be killed. Da Vinci's painting illustrates this exact moment when Jesus' disciples are shocked by what they have just heard.
The painting illustrates thirteen men sitting behind a table. The man in the middle of the painting is Jesus Christ. He sits with his eyes closed, hands on the table and he doesn't have an expression on his face. The twelve disciples surround Jesus, with six of them on each side. The twelve disciples have been grouped into four groups of three people, with the individuals of each group sharing a common expression. Starting on the far left side are Bartholomew, James and Andrew. All three stare at Jesus with a puzzled look on their faces and their eyes wide open. The next group is composed of Judas, Peter and Peter. Judas holds a bag of silver in his hand which symbolizes a bribe he was given to betray Jesus. Peter leans over and clenches a knife as though he wants to protect Jesus and John appears to sob. The next group of men is Thomas, James and Phillip. These three men looked surprised and appear to want an explanation from Jesus. The last group of men is Matthew, Jude and Zealot. These three men are all facing each other as though they are having a discussion on what they have just heard.

Da Vinci has also incorporated several elements and techniques into this painting. Perspective was used by tapering the lines that form the walls, windows and ceiling of the room to give the illusion value and depth. Jesus' head is centered perfectly both horizontally and vertically. This alignment combined with the perspective makes Jesus' head the central focal point of the whole painting. The use of geometric shapes is evident. There are many rectangular patterns built into the structure yet all the objects on the table are round. There is a wide range of colours used in this piece, especially in the clothing. Lighting is also incorporated in this painting. The left wall, back wall and ceiling are all dark in comparison to the wall on the right which is really bright. I would guess that this lighting difference is in reference to the sun's location to symbolize what time of the day it was.




My own design of the last supper influences from Leonardo Da Vinci "Last Supper".


also Jean Michael Basquiat "Fallen Angel"

This image consists of four canvases sizing (unknown) and put together forms this long and modern image i have created using my family and friends as influences as they are all different shown with different objects on each canvas shows their personality and hobbies and other objects that are personal to them. 



Analysis
Jean Michel Basquiat  "Fallen Angel" 1981 (167.6 x 198.1cm)


Jean Michel Basquiat is very energetic. His work called 'Fallen Angel' is the image I have chosen to use as a pastiche. In this work he draws out angels, devils, halos and saints. In 'Fallen Angels' I see his work like of an angel falls from heaven and they are either losing a right to their wings or going straight to hell this is because an angel has done something wrong to end up in a situation like this. When looking at this image there are alot of dark red colours on outlines of this picture. Sometimes the colour red represents the devil or hell in most religions. You can tell with this with this image even though it looks very gestural and energetic but even though it is quite visible that a child has created it you can tell that it is an angel with the recognizable features i.e. wings, halo etc. With the title 'Fallen Angel' Basquiat gives the idea and concept away by giving us a clue to the message he is sending us that an angel is falling from the sky and it could be either going to hell or stuck in limbo on earth.
But he uses sharp and aggressive lines in his work as it looks rushed and domesticated. On the image in the detail of the angels eyes you can see that he are closed but with a bit of red showing through the blue eyelids that could show that it is a devil now and not an angel. With the colours red and black they mean to us warning danger and with Basquiat using these colours it tells us to watch out for this as it is a hazard. Some of the colours Basquiat has used are vibrant and loud with the use of yellows, blues and reds. All of these draw your attention in towards this image as it is wacky and exciting to view his work. While looking at Basquiats work he uses themes of x-ray looking figures in most of his work were you can see the inside of the body with the background faintly coming through the body in a pastel blue colour.
Basquiat uses very thick paint throughout 'Fallen Angel ' with the colours black reds, yellows, whites and oranges these are direct to the canvas he splotches them on and spread them out thickly to get bumpy texture with the paint. He has layered each of these colours on the canvas to gain a bold and direct response from the viewers. As you can see on the right wing there has been a drizzling effect going down the wing and to do this he has used dirty water from his brushes and spread it on the wing in a rough way and tipped it to allow the water to come down the image with Basquiat doing this it looks like that there has been acid poured on the wings to dissolve away. With the thought of this it must feel very painful in this manor and experiencing excruciating pain from the acid being poured down him and turning in to a devil from an angel.
Basquiat has used tin marking for the fingers as this suggest that he is boney and thin in scale. The shapes that Basquiat has used in his painting s are very flat and suttle in the way that they are not in 3D form but are simple for example the halo. When looking at the image you can tell that it is an angel and a devil as this image could represent both as one with the wings and the other one with the bloody red thick lines on the eyes and body. He has used contextual lines throughout his work as this I think is the most important part of Basquiats work as this is a mark of recognizable work to let us know that it is his work and no one else's the lines could be sharp or smooth looking but rough in places. This image comes across to me very willing and strong in the marks he has created it shows that he has a great vivid imagination with angels, devils, saints etc.
He works with applying thick acrylic on top of each other and using oil pastels to add detail in his work such as the markings of the lines, letters, numerals and symbols he was influenced by CY Twombly and Leonardo Da Vinci with reading and drawing from anatomy books. Basquiat uses a 3 point crown to symbolize and mark his work the lines he has used to create this piece of art are very quick, sharp and slick on the wing it looks like he has rushed the depth and colour but on the other hand it looks abstract but the style looks crazy with the use of random points of colour such as the yellow as this is the brightest colour. With the idea of doing an angel on his surface it is very spontaneous and naïve in the way he has layered the acrylic paint and the theme of making it energetic and vibrant. He hasn’t included tone or depth in this image as it looks flat and there is no form to it. But with the use of the bright blue it highlights the angel and allows it to show.
My first reactions to Basquiats ‘Fallen Angel’ was WOW that’s amazing it’s very bright and colourful and quite bold and you can tell he has expressed his feelings and external and internal visions hens x-ray vision. X-ray vision in this case is a good technique he has used and he has exaggeration with the lines that he called blood lines and other organs. He is a neo expressionist painter and some of his work comes across aggressive because he puts much power and boldness and randomness in to his imagination and his ability to achieve great work he has created. The writing in his work isn’t understandable and he crossed words out to get some ones attention to look in more detail into his work and this makes people feel curious about the decision he has chosen. World of images, body and machine parts, parts of speech, figure cartoons, graphs and cross words out. ”I cross words out so you will see them more, the fact that they are obscured makes you want to see them” – Jean Michel Basquiat
At first from a distance I thought that it was a bird with the obvious shapes of the wings but as I gradually concentrated on the image it became clearer that it was an angel because of the shape of the halo and wings. It looked like a child had created the image the way he has used the lines with the acrylic and pastels. I do like this image but it is very difficult to get to terms about how he created the image in such a huge scale and the difficulty in getting the colours right for the overall image to make it abstract. The work remind me of an explosion of a factory who is making paint and the explosion is on the wings but all over the image as it shows that people who could be working in the factory could be hurt or feared dead. The image makes me feel like this because it looks sad, depressing but scary in the shock of the arms and face is laid out. The halo on this image reminds me of Jesus and the thorn crown he wore on his crucifixion and the raw emotion can be mirrored on to this image.
The work is an angel or devil that could be seen either way. Basquiat is dominated by the figure of the fallen angel rendered in quick rapid red, yellow and black lines, floating against luminous blue background. Within each brush stroke you can tell the energy and strength that Basquiat has put into his work. The lively tonal qualities of the work represent a radical mixture of street drawing onto the modernist canvas. “The colours are not those of easel painting, obtained while learning a craft and constantly worked on. They are lively, swift colours of the street, vibrant, fading, affixed and opposing distant but not foreign” – Jean Michel Basquiat. Basquiats angel appears both conflicted and endearing much as the artist was himself at the time his work was painted. The angel figure was more about historical stuff than religious; he used iconography to discuss his experience. It was to talk about of a black man in America and not about history. In addition to the angel another iconic symbol in Basquiats work is the crown, which appears over the angel’s left wing in the present lot. Both the crown and the angel are central metaphors for Basquiats understanding of his own personal mission and eventually they would become emblems.
This relates to an autopsy in the way he has drawn and painted the physical anatomy of the male in nude coming from heaven going to hell. This relates to the human form and anatomy for the requirements of drawing a figure. With the amount of paint he has used and layered on top of each other it must be a quite thick ripple effect with him applying it thick on canvas material. I don’t think that there is a sense of space in ‘Fallen Angel’ because it doesn’t look 3D and the sense of depth to me isn’t there as there is no tonal aspect on the painting he has created. He has used a large canvas to do this image on (5.5ft x6.5ft) and the media he has used is acrylic and oil pastels. The work was made in 1981 in New York it was therefore presented in Annina Nosei Gallery New York. There is an interesting connection with this work and the year it was created because there was a lot of street pop art going on including expression graffiti and animations of cartoon characters which Basquiat was also deeply influenced by his past. Jean Michel Basquiat created this interesting conceptual piece of art called ‘Fallen Angel’.
He was a New York artist who began graffiting communities and building until a professional person approached him and offered him money to create his work within galleries to show and inspire the viewers of the world who came and visited multiple galleries over the world but soon after at the age of 27 years the passed away due to an over dose. He work to this present day is still inspiring the young people as it appeals to them for the use of sophisticated and vibrant colours used and the techniques he has used to create marvelous work and they are all preserved in galleries all over the world for us all to remember him and to get inspired by the creativeness and imagination he worked hard for in his work. A major history event affects the art world in 1981 by including women into the art world “Feminist art history began with the aim to support women in the arts and to make women artists in art history visible. Until the 1980s the interest was predominately political and research concentrated on women. Major issues were the social history of women artists, the question of a female aesthetics and the representations of women in art.”

http://userpage.fuberlin.de/~glossar/en/view.cgi?file=dat_en@53&url=/~glossar/en/menu3.cgi?l1=abc@@l2=F@@l3=Feminist%20Art%20History:%20Women%20Artists%20and%20the%20Canon. His art work is very x-ray like this is influence by reading and drawing the images from Leonardo Da Vinci’s anatomy work which led to drawing medical like examinations of people bodies. Well I ask several people in my family what do they think it looks like from a distance and they said it looks like a bird which I agree but as they got closer they could see the detail and the obvious outlines on an angel including the wings and halo. The viewer’s said that it remind them when they started to attempt to draw in school when the lines weren’t even and parallel to one another it was very abstract and out of context and the use of colour is random and they wasn’t too sure if he should of used them colours as they were to bright. But with the young people in present time are inspired by simple energetic images such as ‘Fallen Angel’ etc. with it being hung up in a national museum it is difficult to get the viewers to see his inspirational work that is currently helping me to get out of my comfort zone and helping me to understand the art world and what this image is trying to tell me. I don’t think that it needs written supported help to understand what is going on in the image as it is a simple drawing of and angel / devil falling from heaven to hell or in limbo to decide what to do.


Printing

In printmaking I have produced several outcomes most of all are small studies from which I have experimented with different techniques such as Collagraphs, Silk Screen, Mono Printing, Linoleum, Etching, Engraving, Relief Printmaking, Stencil and Lithography. In order for me to produce a range of ideas to create art I have had to accumulate a vast amount of materials and research. the aim of the print project was to discover and invent print from within my everyday life and from my work in the printing studio by means of accumulate and/or dispersal. I have considered how these two notions act together, in order for me to disperse them in an entirely unique way. I think that I have came up with a unique way in order for me to make a good body of work I have focused primarily on my individual explorations and inventing my own ways of printing that are relevant and exciting to me. I have realised that throughout this project by just using one single colour to produce my work isn't enough therefore I have used a wide range of colours not just ink but acrylic paint too I have also demonstrated this as part of my final pieces. fortunately print is a medium that lends itself to the building of layers which was important to my work in the final parts as with bones I was considering on the form, shape and shadows each one produces that is unique to itself and the range of manipulation is just right for my techniques I have done throughout my body of work.

what you see below is the work I have considered to be the best of the basic qualities I have done at the beginning of the year and at the bottom of the page is the start of the final pieces including the lino cuttings I have added as evidence to my working efforts.

















In my Print Project I have tried  multiple techniques which have helped me to produce my outcomes. My theme was based on the environment, 3 weeks into the project I felt that I wasn't getting any further so I changed to the body and with this new theme I begun to select the main body components and produce them through techniques like Lino, Mono Printing etc. my weak point through this project was getting the dispersion correct therefore I used lemon zest and ink rolled on paper. This helped me with the dispersion by creating flat but textured backgrounds. I have researched into several artists such as Da Vinci and Basquiat. With most of the A3 outcomes I have used paint on the objects to blend in and to create dispersion, I have also enjoyed this project and I will produce more work similar to this in the near future projects.

Drawing

Week 10

In this week there was a crit about out journey project and how our work was getting along. I could say that my work wasn't that interesting as I get bored with projects I have done before therefore I will do something different but personal to me in the next project I think. After the crit I had I written notes down what I could do further to improve and progress on my work.
What people thought about my work:
  • Like an x-ray presentation
  • Concentrating on the walking joints
  • Good contrast
  • Details good
  • Smaller drawings could be useful
  • Too heavy in the drawings could suggest strength in bones
  • Use acetate maybe project it onto a board
  • Fragile with the shoulder blade
  • Experiment with colour
  • Textures good and keep to the layers
  • Try animation.

Weeks 9-11
In these weeks I have been selected to give a 10-15 minute presentation and or a discussion on a drawing(s) that I have selected. the drawing(s) can be taken from any historical period and be by any artist, fashion designer, architect, cartoonist, etc. But the choices should be inspired by the work I have actually seen on the London trip or other museums/galleries. the presentation should not focus on facts alone but on other information too such as:
  • why the drawing was selected?
  • what interested you in the drawing?
  • how was the drawing made?
  • what processes where involved in making the drawing?
  • is the drawing made from observation?
etc...

As it was a group discussion before hand we all decided what method would be practical in presenting our work clean and effectively we all chose power point presentation as its simple, electronic and everyone has easy access to see.



 Weeks 4 - 11

We have discussed the starting of a journey project which involves a journey of our choice that could also be personal to us but can form a descent body of work. Although I based my project around the Newark Museum which had a room full of dinosaur bones which interested me up to a certain point but then my project travelled to the human form i.e. bones on how the joints move. I then moved on from the human anatomy to the figures of people and their facial features I moved onto the facial features as it was a previous attempt of mine but failed as I didn't progress further on my drawing skills after the two attempts of drawing my friend I then enjoyed the process of using tracing paper as it was easier for me to add detail to the features. I think when I do my next project I will draw more faces of people in todays society also including more of my friends back home as this will still be personal too me but not all the time as I do want to challenge myself further.


These two images of bones are on tracing paper on purpose as when placed on a window all the layers I have made to form the bones are shown through as the light forces its way through when looking from a distance it looks like an X-Ray in a hospital.


Same with the X-Ray idea I tried to do the same style through a face of a friend but however hasn't worked out as I planned but I am happy with outcome as I was trying to experiment with a board marker still as it worked previously with the bones above.

 

In these two images I have used tracing paper as my working surface as it was
easier for me to gain the quality better on the facial features than it was for a
plain piece of paper. although a few aspects are slightly disproportioned I think that this was a better way of me to draw the human form and I enjoyed the process I went through to achieve these outcomes. 

 


This is a map of the Leicester area of where I went on my journey to the Newark Museum and other places that I bumped into along the way or way back.

 (unable to load image of map)

Journey Trail Information Note form

  • walking down the street
  • broken fridge found on right side of the street
  • corner house abandond along same street left side Rydal Street
  • got to the edge of Grasmere Street 13:14pm
  • at Clarendon Street seen abandoned building in distance
  • at DMU campus carpark near library 13:18pm
  • passing St. Andrews church along Jarrome street
  • 13:20pm passing gateway street
  • passing abandoned building with smashed window
  • closed down Dulux decorator centre
  • passing funeral cars
  • coming onto Carlton Street 13:25pm
  • smelled petrol fumes along Carlton Street
  • 13:28pm at Regent road
  • passing two people one with guitar
  • passing hly trinity church
  • passing horn buckle and Mitchel at 13:32pm
  • passing Newtontown street
  • 13:37pm man got pulled by police outside museum
  • 13:39pm police backup arrives
  • 13:41pm
  • arrived at museum
  • same time two men passes by smoking joints and there's a strong smell of marijuana
  • have taken multiple shots of skeletal bones from dinosaurs and there are no human replicas available
  • also drawing from the images taken as they don't allow charcoal observational drawings to take place
  • finished in museum at 13:57pm
  • man on phone just got out of his car shouting "yes im at work" when hes is actually paying for the pay and display for his car.
  • 14:14pm hearing the echo off another building from the infirmary ventilation system
  • back at liberty park at 14:28pm


Weeks 1-8
In the 8 weeks I have been concentrating on the different perspectives a model could be drawn at I have therefore selected one particular drawing that I enjoyed creating. It took me an hour for me to make this drawing although the model was at a difficult position I couldn't draw but I like to challenge myself at these moments. first of all I was just concentrating on one side of the paper and therefore forced myself to capture the whole picture and use all my surface available to me. I had selected willow charcoal to do this piece as it is easily manipulated and if mistakes arise then I can smudge the line(s) and start again and use the mistake as an advantage to my background.




The analysis of the group sculpture and my observational drawings.

This is a group sculpture of all our found objects placed into and on top of a swirled frame that had been welded together to get a swirl like form. With all our found objects that range from small to large in size and light to heavy in weight we all have created an interesting piece of work that is related to Robert Rauschenberg’s work as his consists of found objects too. With our objects they weren’t a loud to touch the floor as they had to balance in the frame that was provided and with this our objects had to balance and support one another the keep the shape. Once the sculpture was formed we had to select a certain area to draw from and the part that interested me the most was the folded up pram, the electric fan, an insulated industrial orange pipe and a walls ice cream sign that was found on the street. Some of these objects are interesting either in the shape, context, or character. Some of the objects also were interesting as they had a sense of depth. As we had to draw on brown paper we observed the sculpture 80% of the time as we had to capture the 3d aspects of the found objects. I think that as I was drawing it I could have started in the middle of the paper as I would have fitted the objects on the page but then I realised at the last minute that it was all out of scale. As I started to look at the sculpture that I was going to draws I had to think about a few aspects. I had to know which side I was going to start and how I would draw the sculpture in order for me to capture the 3 dimensional shapes within the sculpture itself. So I used the graphite to lightly show some of the outlines of the sculpture and then when I was confident enough to carry on with the rest of the drawing I started to press harder against the paper to thicken the lines and to make them show more. After carefully looking back and forth to the sculpture and my A1 paper I started to think of other aspects of the sculpture and what I am able to capture within my drawing within a short amount of time I had. I then thought about the positive and negative areas with the drawing I have slightly completed and I wasn’t too sure on how to do this part. I think that I need more time in trying to figure out the negative areas within a drawing so I can then identify it next time when it comes to another observational drawing I am able to spend less time worrying and more time concentrating to get the observation completed in the amount of time given. I then started to think about the shapes that not only the objects make within but what the blank space on the outside makes i.e. squares and triangles, all with their unique way in creating itself. Within my drawing I created a fan out of the sculpture and I had a slight bit of a challenge as I had to make sure that the overall effect was that to see that the fan blade look like they are behind the fan guards and I think that I have done a good job but to get this effect I coloured the blades in with charcoal and then added splotches of white paint on the charcoal and smudged it within one another in different directions to make it look abstract and therefore I think that this is my best part and the focal point of my drawing because I have spent so much time on that specific area than what I have with the rest of the drawing.